Forest Gate's listed buildings (2)

This is the second of two articles featuring nine of Forest Gate's English Heritage Listed buildings. The first appeared last week (see immediately below), and can provide an introduction to this, thus avoiding unnecessary repetition. The tenth Listed building in Forest Gate was featured in our article on Forest Gate's First £2m house? (here).

Red House, Upton Lane - listed 1998

House, later converted into club. There was a building on this site in 1717 and c1760 brickwork to north gable and east front survives, but this building was extensively remodelled in the 1880's.

In 1933 it became a club, with the 1940's caretaker's flat raised to two storeys in the 1960's, erected on site of late C19 kitchen and services. The entire ground floor of the east elevation was converted into a single bar.

Principal west front of 1880s of red brick with stuccoed dressings; roof concealed by parapet and end brick chimneystacks. Two storeys and basement; six windows. Larger projecting bay to north under curved gable has four-light French windows and balcony with pierced balustrade over canted bay to ground floor.

Red House c 1907

Other windows are tall casements. Parapet has panels of pierced balustrading and elaborate urns. Moulded bands between floors and end quoins. Wide porch with cornice having central curved pediment with raised design and pierced balustrading to balcony supported on four rusticated Tuscan columns.

North front is mainly C 18 brickwork and east elevation has full-height bowed bay of the same date. Interior features remain of the 1880's.

Entrance hall has imperial staircase with elaborate wrought and cast iron balustrading with mahogany handrail and series of doors, some with carved surrounds. North ground floor room has marble fireplace with round-headed arch, bearded masked keystone and high relief panels of fruit.

South room has some Minton floor tiles. Both rooms have c1880 window shutters and plaster cornices. Roof structure is of 1880s.

Bell of 1762 in upstairs front office has been resited from a demolished cupola on the roof A Dutch merchant lived in a house here in 1717. Later it was the home of Mr Tuthill (for details of this important resident, see a later post), the manufacturer of early trade union banners and in 1933 it became St Anthony's Catholic Club. 

The building was in some disrepair by the 1990's, but with the assistance of English Heritage and Newham Council, it was given a thorough facelift around the time of listing.  The inside, however, is still in a rather poor state (certainly given its origins and history) and is kept going by the hard work of volunteers at the club. There has to be some doubt as to how long this shoestring funding approach can be sustained. What then? would be a massive problem for a whole host of organisations.

Rothschild's Mausoleum, Cemetery Road - listed 1984

Mausoleum 1866: Architect - Sir Mattew Digby Wyatt. A circular domed stone building with Renaissance detail. On principal axis of cemetery. Engaged Corinthian columns. Enriched wall surface between. Rectangular windows under cornice with elaborate iron grilles.

Evelina Rothschild's memorial,
 Jewish cemetery

Richly carved entablature and parapet. Parapet and fluted dome finished with vases. Mausoleum erected by Ferdinand de Rotherschild to wife Evelina.

Old Spotted Dog, Upton Lane - listed 1967

Timber-framed building, later a public house, dating in part to the late-C15 or early-C16 with subsequent phases of the late-Georgian, Victorian and post-WWII periods.

Exterior: The central range of the main frontage, a timber-framed two-bay hall with open crown post roof, is the earliest part of the building and dates to the late-C15 or early-C16. There are two doors, both with C19 joinery, leading into the building here and the tiled roof eaves come right down to their architraves; there is a brick stack to the right of this range too.

1838 sketch of Old Spotted Dog

This early core is flanked by two-storey cross-wings, also timber-framed, that to the right contemporary with the central hall and that to the left dating from slightly later. Both have jettied, weather-boarded upper storeys with horizontal sliding sashes in the gables and rough-cast rendered ground floors; both jetties rest on later supports, a brick return wall to the left-hand wing and iron posts to the right on the eastern return.

1903 painting, by H Smart,
 courtesy of Newham archives

The cross-wing to the left has a four-centre arched door and a large window with marginal glazing on the ground floor, that to the right just a window opening, with an entrance on the canted corner to the return. This return, facing east, has a late-C19 bay window on the ground floor and more sashes on the first. Further along the return is an extension, weather-boarded in keeping with the original, but dates to 1968 and lacks special interest. Above it the gables of the Victorian part of the building are visible, complete with bargeboards and finials.

The return to the west has two Edwardian porches and a brick chimney flue, also of a C19 or later date, as well as further sash windows. Beyond is the addition of the late-Georgian period, possibly a house originally, a stock brick range with a slate hipped roof, gauged brick arches to the sash windows and brick pilasters. The windows to the right have been altered or bricked in and the door altered too; it once had a canopy and porch.

A two-storey extension with metal casements dating to the second half of the C20 abuts this building to the north. Alongside this are a single-storey 1980s function room and a garage. None of these three parts of the building have special interest.

On the contrary, the Victorian sections, visible above ground floor and identifiable through their stock brick elevations with red brick dressings, timber sash windows, decorative bargeboards to the gables and slate roofs, do contribute to the interest of the building. 

Interior: In the single room of the central hall, the roof is partly-exposed. This is a crown post with lateral head braces and the timber is hand-sawn but without particular embellishment in the form of chamfers, stops, or other carving. To the right, set under the tie beam, is an inserted stack with hearth, timber bressummer, iron grate and oven. To the left, the wall has a later opening in its upper part looking through to the roof trusses of the cross-wing.

A serving bar and back bar along the back of this room appear Victorian in date, as is some of the other joinery; other elements are modern. The floor is paved with York flagstones. The cross-wing to the left has a crown post roof with studs and braces to the walls.

The ground floor ceiling is supported by Victorian iron colonettes and contains later fireplaces and panelling. The cross-wing to the right has a tie beam and moulded wall plate but no other elements of the roof are visible. There is a simple late-Georgian timber fireplace in the upper room in this wing, some plain partitioning of the same date in another and a sash window in a third room which may indicate the old end wall of the range.

On the ground floor the principal beams in the ceiling are moulded and there are various items of panelling and other joinery including fireplaces dating to no later than the C19. Inside the later sections to the rear, both late-Georgian and Victorian, there are no fireplaces, bar counters or staircases of historic interest as the building was refurbished in the second half of the C20 and much of the fabric dates to this period. 

The interior of the Victorian section of the pub is characterised by a medley of timber-framed structures including one section that appears to be a jettied external wall of a timber-framed building, but that does not relate in its location to the late-medieval parts of the building. Some of the timbers are old, others newer, and most are painted with brown paint.

A photograph of 1967 shows a gap in the external wall in this area and the timbers do not appear to be present; photos from 1968 show the interior as it is now. It is likely that most of the internal fabric in this part of the pub was assembled from timbers, perhaps salvaged from elsewhere, in the refurbishment of 1968. It lacks special interest.

History: Originally a house, the Spotted Dog was later converted to a pub, possibly in the early-C19 when it appears on Clayton's map of 1821 labelled 'The Dog'. On an earlier map, by Chapman and Andre of 1777, it is not given a name, despite other public houses nearby being marked, so it was presumably a private abode at that time. A range (which appears domestic and may have originally served as the publican's house) was added in the late-Georgian period, before 1840. 

In 1839 the proprietor was a William Vause whose family held the lease until 1917. Vause advertised his business to Londoners in search of resort: a C19 poster survives showing the building and boasting of its 'spacious dining room and billiards' and 'good accommodation for cricket and other field sports'.

Vause poster advertising
 Spotted Dog, see above text.

The billiards room may have been a modification of the late-Georgian range; it appears on later photographs with a timber lantern on the roof, which may have lit the games room. At that time the Spotted Dog overlooked playing fields to the west and gardens to the north. Under the Vauses, the old pub was enlarged further, probably in the decades between 1867 and 1896 when its footprint alters on the Ordnance Survey maps. 

The area around the Spotted Dog changed dramatically in the late-C19 and early-C20, and by the outbreak of WWI the claim on the Victorian poster that the pub was located in 'one of the most pleasant parts of Essex' was no longer true, not least because from 1888 the Spotted Dog has been in the County Borough of West Ham.

Terraced houses lined nearby streets, the cricket field became the home of Clapton FC (the club remains there to this day) and the pub sold off some of its gardens. The pace of change accelerated in the second half of the C20 and further additions and alterations were made to the building, including major internal refurbishment and extension in 1968, before it fell out of use at the end of the C20.

Reasons for designation: The Spotted Dog public house is listed at Grade II for the following principal reasons:

* a well-surviving, if simply constructed, late-C15 or early-C16 house comprising central hall and flanking two-storey cross wings, these with weather-boarded jetties;

* interesting interior including exposed timbers, hearth with bressummer, other fireplaces and historic joinery including a Victorian bar and back bar;

* particular poignancy as a rare-surviving late-medieval building in this area, evoking the rural character that could be enjoyed here until the middle of the C19, when this part of old Essex was lost to the expanding capital.

As a working pub, early 21st century

(see here for a previous, more general history of the Old Spotted Dog)

There are, in addition to the Forest Gate buildings highlighted above, a number of Listed buildings in Manor Park which relate to articles we have previously featured on this site. Among these are seven in the various cemeteries within the post code - mainly the City of London, plus the Manor House (featured recently in our potted history of Manor Park).

Additionally, the Earl of Essex pub, now standing empty and in search of a developer, which featured in Ben Drew's film Ill Manors and the Coronation Cinema, which for a while was a snooker hall and now a (mainly) Asian banqueting hall, just around the corner.

We are deeply indebted to English Heritage for their efforts in attempting to preserve key aspects of our architectural history.  We acknowledge and are most grateful for their Listed Buildings website (here), from which we have taken most of the material (though not the photos) in this article.  We recognise their copyright of the material.

Forest Gate's listed buildings (1)

In our recent feature on what may become Forest Gate's first £2m house (here) we noted that it was "listed", by English Heritage and gave the grounds for its status.

There are, in fact ten "listed" buildings in Forest Gate. We feature the other nine in a two-part series, of which this is the first.

The borough of Newham boasts 116 such buildings, many associated with the former Docks, Tide Mill in Stratford, Abbey Mills pumping station, churches or cemeteries. Three have Grade 1 listing (All Saints, Strafford, Tide Mill, itself, and St Mary's the Virgin, East Ham). The other 113 are Grade 11 listed.

"Listing", in lay terms, means that the conservation body English Heritage recognises that the building has features of architectural interest which are worthy of preservation. These are highlighted in the citation for listing and are included, in each case, in this article.

Local authorities have a responsibility to ensure that, as far as possible, these features are preserved and will not, under normal circumstances, give planning permission to attempts to disrupt them. 

For their owners this can be a double edged sword: kudos of owning a listed building, but often real difficulty in changing its design or appearance which can cause difficulties if looking to sell - presumable an issue for the owners of ex-pubs the Spotted Dog and Earl of Essex - see next episode.

The text below is (slightly) edited from the English Heritage website and can, in places, be very architecturally technical. But even a lay reader can get the drift of what is being appreciated by those responsible for the listings, from their citations.

89 Dames Road - listed 1981

House probably circa 1840. Two storeys, four bays wide with asymmetrically placed entrance, all under hipped and slated roof set back from road frontage. Of stock brick, double fronted with additional bay to north.

89 Dames Road

Segmental headed ground floor sashes set in recessed semicircular stucco arched surround tied together at window head level by a profiled stucco string. First floor segmental headed sash windows lie below closed overhanging roof eaves.

Main entrance accentuated by entablature supported by Doric columns. Interior not seen.

In the 1950's it was run as a wedding venue by a company called Hart and Holman. They had a huge function hall, which embraced, among other things church and Sunday School events, from the Christian Israelite church, almost opposite. One local attendee described events there as being "the highlight of our year".  

Now residential flats.

Church of St Antony and Monastery, St Antony's Road - listed 1984

Church and Monastery 1884 (foundation stone) finished in 1891. Architects Pugin & Pugin (Of Houses of Parliament fame). Early English and Geometrical Gothic Church. Yellow stock brick with ashlar dressings. Slated roofs.

 Austere. 7-bay nave with tall clerestory. Lean-to aisle roofs, double to (liturgical) south, to incorporate confessionals. Gabled chapel to south. South-eastern apsed chapel. Rose window over High Altar. 6 light traceried window to west end above gabled entrance. Cuspless three-light clerestory windows. Lancets to confessionals.

Church and monastery of St Antony

Monastery 2-storeyed with transverse gable to left and smaller gables to centre and right. Similar materials to church, but blue, chamfered engineering bricks to window openings. Lower windows paired lancets with leaded lights.

Beneath gables three light tracery windows, pointed head to left, the others with stepped, square, heads. Walls buttressed. Building linked to church. Gabled entrance, porch to left, with Mother & Child statue in canopied niche above.

Duke of Fife public house, Stafford/Katherine Roads - listed 1984

Public house circa 1895. Frederick W Ashton. A richly ornamented corner public house. 2 storeys with slated mansard and attic storey. Yellow stock brick with painted stone or stucco dressings. Jacobean motifs. Balancing elevations to Katherine Road front and to Stafford Road flank with 2-storey wing on flank.

Front has two segmental arches to ground floor, two 3-light windows to first floor, and balustraded with buttresses gabled dormers above. Ornamental panels above and below first floor windows with panelled pilasters between. Octagonal corner turret, (dome now missing) with linked female caryatids to drum.

Duke of Fife, ex-pub, now 
restaurant and banqueting hall

Arched entrances between ground floor, windows and to corner, with carytid-ornament above. Chimney stacks have pilaster ornament, and those on south side are gabled and buttressed like attic window. Similar gabled window to slated wing. Later single-storey wing at back. Interior not seen.

Now Asian restaurant.

Emmanuel Church, Vale Road - listed 1984

Church 1852. Sir George Gilbert Scott. Decorated Gothic style. Kentish ragstone. Tiled roof to eaves. No clerestory.

Emmanuel church, 1907

Perpendicular north aisle of 1890, the same height and width as original nave. Short tiled broach spire over chancel arch. Lady Chapel to south side balances organ chamber to north. Lean-to south aisle. South porch. Aisles are buttressed. Low turretted north transept. Vigourously foliated columns to 6-bay nave arcading.

Former Congregational church (now Azhar Academy), Romford Road - listed 1984

Former Congregational Church of 1880 by T Lewis Banks with church hall of 1883. Later known as United Reformed Church. Converted in 2002-3 to a school, the Azhar Academy Girl's School. 

Materials: Knapped flint with red stone and red brick dressings, tiled roof.

Exterior: Early English Gothic style. Externally the former church is largely as constructed, having an nave with lean-to aisles, south-eastern vestry and 3-stage buttressed and pinnacled tower with short spire to the south-west; the former church hall abuts the church's east end.

Former Congregational church,
 now Azhar Academy

The tower has triple arcading to top stage with a gabled centre panel of louvres and blind arcading below. To Romford Road, the west end has two gabled, porched entrances with arcades between on the ground floor above which are three lancets with brick mullions flanked by trefoil arches and single lancets; the uppermost portion of the gable has triple lancets, flanked by blind single lancets, and a decorative cross set into panel of red stone at the apex, the pinnacle of which is missing.

To the right of the entrance is a projecting vestry, which resembles a short tower at the lower levels with arcading to ground floor and buttresses to corners, triple mullioned windows to first floor, and parapet above. It is surmounted by a steeply pitched, curved-hipped, tiled structure, almost semi-circular, with continuous timber mullioned glazing with leaded lights. Twin gabled transepts project to either side of the nave with round-arched, stepped lancet windows, moulded brick mullions and stone pilasters.

The two-storey, gabled former church hall to the rear of the building has gabled porches facing west. The lancet windows to the west and north have all been infilled with breezeblocks. The single bay joining the former church to the hall has been converted into a stair and heightened with glazed clerestory and a modern roof.

A two-storey former clergy house with gables to north and south abuts the rear of the hall to the east. It is of flint with brick quoins, chimney stacks and window dressings, and the gable to the north is rendered. The window to ground floor has been blocked which is adjacent to a small brick porch with pitched roof. 

Interior: None of the original fixtures and fittings remain. Classrooms and offices have been inserted into the former nave, arranged across two mezzanines, fronted with glass to the central hall areas. The upper floors are reached by a stair and lift in the tower and the stair at the rear between the school and old hall.

The nave arcading - large sandstone pillars - and aisle and clerestory window mouldings remain exposed and the contrast between modern and historic materials means the old arrangement is roughly readable, assisted by the use of glass partitions. The windows have red brick and red stone arched dressings with red stone pilasters and moulded motifs, some have stained glass in the upper sections.

At first floor the timber wall posts, hammer beams and arched braces on stone corbels are visible in the modern classrooms. A floor inserted at the impost level of the roof vault has created a large prayer hall in the roof space where the impressive original hammer-beam roof is visible.

A second prayer hall is accommodated in the former church hall to the rear; a suspended ceiling has been inserted here but window openings and wall posts to the roof structure are visible. The former clergy house is used for utilities.

History: The building was constructed in 1883 to designs by T Lewis Banks for the Congregational Church. The foundation stone was laid by Henry Wright Esq JP, and the builder was Charles Sharpe. It abutted a church hall, built by the same congregation and architect, dating from 1880 which survives to the rear of the former church.

The building became known as the United Reformed Church in the second half of the C20 and in 2002, having become redundant as a church, was granted listed building consent for conversion to a school. The Azhar Academy Girl's School opened in 2003. 

Reasons for designation: The former Congregational Church is listed at Grade II for the following principal reasons:

* it is a landmark on Romford Road, in particular its impressive tower with pinnacled buttresses and short spire;
* good composition and detailing in the Early English style;
* the use of materials is good, including knapped flint, sandstone and red brick dressings (the former untypical in this area);
* an interesting ensemble of buildings, as was common in non-conformist churches, including a slightly earlier church hall of 1880 and a clergy house.

Carnegie Library, Plashet Grove (in Plashet Park) - listed 1994

Public library, now Newham's registry office. 1898-9 by Silvanus Trevail. Red brick with stone dressings, slate roof with three-stage cupola bearing clock. Two storeys, with gabled attic over entrance bay.

Three bays, the outer bays with five-light mullion and transom windows under parapets sporting trefoil headed panels. Central entrance composed like a Diocletian window, pair of blue marble Ionic columns carrying arch, spandrels with bas-reliefs of seated figures with scroll and book. Aprons of first-floor windows inscribed in raised letters 'Passmore Edwards Public Library'.

Carnegie Library, Plashet Park

Gabled two-storey returns with windows at first and attic storey. Lower rear section contains reading room (low projecting bay on east side originally contained the ladies' bay). Interior contains a hammer-beam roof to rear reading room. The first and attic storeys originally housed the chief librarian. 
Opened by Herbert Gladstone, MP, 30 November 1899. Largely paid for by John Passmore Edwards, philanthropist and proprietor of the Building News, who promoted libraries in the poorer parts of London. This is an uncommonly richly decorated example of his patronage in a suburban area.

Source: Building News, 11 November 1898.

We are deeply indebted to English Heritage for their efforts in attempting to preserve key aspects of our architectural history.  We acknowledge and are most grateful for their Listed Buildings website (here), from which we have taken most of the material (though not the photos) in this article.  We recognise their copyright of the material.

Forest Gate's first £2m house? - 224 Romford Road

Reluctant as we are to add to the property price madness that is sweeping Forest Gate, it is worth noting that one of the district's more distinct, and Grade 11 listed, houses is currently up for sale by Your Move at a guide price of £2m. The house and its architect are of local historic interest.

242 Romford Road - just the £2m, then

According to the British Listed Buildings website. It was built in 1878 and probably designed by John Thomas Newman FRIBA (1831-96) as his family home, in an eclectic Queen Anne style. 

It had a verandah added to the rear prior to 1920. The single-storey conservatory to the south-west was given a tile roof sometime after 1939.

Below we present a (slightly) edited, and quite architecturally detailed, description of the house.  This comes from the listed buildings website, here, and is the English Heritage's justification for their award of Grade 11 listed status to it.  We are grateful for, and acknowledge, their copyright of the information.

It was designated at Grade II for the following principal reasons:

* Architectural Interest: as a relatively early example of the use of the Queen Anne Revival style in a middle-class suburban house. The house is enlivened by its asymmetric design, Japanese-inspired details and lavish use of terracotta decoration

* Interior: the house provides a good illustration of the decorative features associated with the Aesthetic Movement particularly the tiled fire surrounds and Japanaiserie joinery

* Degree of Survival: both interior and exterior are little altered and the house retains the original street boundary wall and coach house which are both included in the listing

* Group Value: with the contemporary former United Reform church opposite listed at Grade II

History

The house was built in 1878 and originally occupied, and presumably designed, by the noted local architect John Thomas Newman FRIBA (1831-96). 

Newman was the surveyor and head of the Mechanists Department at the Victoria Dock (1861-5) before setting up in private practice (1865-79) and was later architect to the West Ham and Leyton Schools Boards (for which he designed around 30 schools), surveyor to the London Hospital Estates Sub-committee and to the Council of the Bishop of St Albans Fund. 

Several of his buildings are listed at Grade II, among them the Protestant Martyrs Memorial at St John's Church, Stratford (1878). This 65 feet monument (see photo) was erected to commemorate the death, burned at the stake, of 18 protestant martyrs in and around Stratford in 1556, on the orders of Queen Mary Tudor ("Bloody Mary"). 

Martyrs Memorial, Stratford

Newman's other work included three churches, Christchurch, Sutton (1887-8), St Margaret of Antioch, Leytonstone (1892) and St Nicholas, Kelvedon Hatch, Essex (1895) where he had moved to shortly before his death.

Details of house construction and features

The house was built of orange brick laid in a free Flemish bond with terracotta dressings; tile roofs with decorative ridge tiles and finials.

It is rectangular in plan but with a single-storey conservatory to the south-west. The roof-plan is T-shaped with hipped gables to the west end of the front (north) and rear (south) elevations, and to the east side elevation.

The exterior of this large, two-storey, detached house was designed in an eclectic Queen Anne style with decorative influences from the Aesthetic Movement. The north elevation to Romford Road has a varied roof line with a deep coved eaves cornice, comprising from east to west a lucarne with hipped roof; a semi-conical roof over the angled two-storey entrance bay; and a broad hipped gable with deep eaves with bargeboards. 

The windows are tall sashes (some broad, some narrow) with the upper sashes and transoms having small-paned lights with a distinctive 'Japanaiserie' lattice design, mostly with coloured glass. The sills are of interlocking terracotta blocks whilst the keys of the square-headed gauged brick lintels have terracotta reliefs of sunflowers. 

Further terracotta decoration occurs as a continuous band below the first-floor windows (sunflowers with foliage); square panels aligned with each window below this band (floral designs except for the two date panels over the porch bearing the date 'AD 1878'); and a second band of continuous floral motifs with a brick edging above the ground floor window lintels. 

The apex of the hipped gable is decorated with a chequerboard pattern of tiles with floral motifs. The ground floor rests on a shallow concrete plinth topped with chamfered blue engineering brick and has a prominent porch to the canted entrance bay with a tiled canopy supported on large wooden brackets with turned wooden spindles. 

The glazed front door has coloured glass lights and an eight-light transom. The western gable has a five-light square bay window with a hipped tile roof. The east and west elevations have similar bay windows The west elevation has a central lucarne with two tall windows and a terracotta finial. 

The rear (south) elevation has an identical hipped gable to the front elevation. A square, single-storey bay with a pent roof is set off centre and connects to a single-storey range to the south-west with a steeply pitched tile roof with tile-hung gable and continuous fenestration to the south and east with top-hinged casements and multi-light transoms. 

Map evidence indicates that this range was originally a glazed conservatory. The rear elevation is completed by two hip-roofed lucarnes, the western one wider than the eastern and a hipped dormer with terracotta finial set between the hipped gable and the western lucarne. 

On the ground floor a later timber verandah continues east from the bay window. This has a tiled hipped roof with two skylights. The fenestration on the rear elevation is less elaborate, combining multi-pane casements and sashes, most with multi-light transoms with coloured glass. There are two tall brick quatrefoil chimneystacks.

The interior of the house is largely unaltered with some changes to the mezzanine level servants' rooms at the rear, the ground floor rooms to the east of the house which form a separate flat (not visited), and the kitchen/conservatory.

Many original features survive, often typical of the Aesthetic Movement. In the upstairs rooms there are three fireplaces with inset Milton tiles of the Shakespeare series (c.1874) designed by John Moyr Smith (1839-1912 ) and Japanaiserie floral designs, arched panelled cupboards in the bedrooms, decorative ventilation vents, original joinery including five-panel doors and more fitted cupboards on the top landing, original light switches and a Gothic ceiling rose in the stairwell. 

The Canadian pine Japanaiserie open-well staircase has turned balusters and newels, ball pendants, a butler's tray rest, and glazed lattice under stair panelling. 

On the ground floor there is a geometric design quarry tile floor to the hall and verandah, leaded window panels with coloured lights set in a wood frame between the hall and front parlour, deep covings (reflecting those externally) and heavily moulded door surrounds to the main doors off the hall. 

In the study/lobby at the rear of the house are three built-in Canadian pine dressers, each with two hand-painted panels depicting parables or nursery rhymes, one showing a woman with two children entering what is clearly the porch of No. 224 with the inscription 'This is the house that Jack built' and the date 1878. 'Jack' is underlined suggesting that John Thomas Newman was the designer. 

Also in the study is a fireplace with Japanaiserie tiles and further Moyr Smith ones from the 'Idylls of the King' series (c1875) set in a Canadian pine surround. In the rear parlour is a Canadian pine fireplace with an overmantel with shelves and spindles which match the stair balusters. The fire surround has hand-painted tiles depicting birds and flowers on a gold ground. 

There is full-height wooden panelling adjacent to the fireplace and the room is divided by a deeply moulded spine beam supported on consoles and has a Gothic ceiling rose. Glazed double doors pass to the modern kitchen. These have fanlight with coloured glass. The front parlour also has the same Gothic ceiling rose, deep coving and an Anaglypta ceiling finish. The room retains its dado panelling. 

Unusual fitted shelves below the bay window with turned spindles and a fitted dresser incorporating the coloured glazed panels through to the hall. The fireplace has a wooden surround and overmantel but has lost its tile decoration. The kitchen has been extended into the original conservatory and largely modernised including a modern brick rustic fireplace although it retains its original fenestration and glazed door to the garden. The cellar retains its slate shelving. 

To the south of the house is a contemporary carriage house built against the south boundary wall. It is of orange brick on a concrete plinth with a hipped tile roof, double carriage doors to the west and fenestration to the north elevations. 

There is a tall brick boundary wall to Margery Park Road with an entrance to the carriage house with pyramid-capped gate piers. It adjoins the blind west wall of the former conservatory after which it continues as wooden paling on a concrete base with brick piers round into Romford Road. Both the carriage house and boundary wall to Margery Park road are of special interest.

Source: English Heritage

Listed building text is © Crown Copyright. Reproduced with thanks.